TABS INDEX: (A TO L) M TO Z
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| M | ||
| M24 at the Mitchell: | Gail Hardman: | 41 i 8 |
| M24 - Every Day except Christmas: | 41 i 8 | |
M24 - To Boldly Go....: |
Graham Walne: | 41 i 8 |
| Machine for All Seasons, A: | 31 2 | |
| Iain Mackintosh: | Bigger and Better?: | 30 101 |
| English Playhouse, The: | 31 167 | |
| Inigo Jones - Theatre Architect: | 31 99 | |
| Kenton Theatre, Henley on Thames: | 25 ii 27 | |
| Royal Return A: |
36 ii 3 | |
| Theatre History and Architecture: | 29 60 | |
| Wilde Theatre, The: | 42 i 8 | |
| Alanna Maclean: | Dad..teach me something about lighting: | 42 i 5 |
| Mac Robert and Brunton: | Francis Reid: | 29 130 |
| Madame Tussaud in Amsterdam: | James Sargant: | 29 12 |
| Maddermarket Theatre, Norwich: | Ross Hills: | 19 iii 17 |
| Made in Kirkcaldy: | 32 i 16 | |
| Made to Dwell in a Dungeon Cell: | Frederick Bentham: | 18 i 19 |
| Jack Madre: | Mr Brown's Tea: | 22 iv 12 |
| Magic of the Managers: | Anthony Barnes: | 28 36 |
| Maison de la Culture de Grenoble: Elidir Davies: | 27 iii 8 | |
| Major Equipment Ltd.: | 22 i 43, 60, 65, 70, 98 | |
| Make-up: | 8 i 9 | |
| Making Haste Slowly: | 36 iii 2 | |
| Tony Mallion: | Pantomime at the Theatre Royal, Norwich: | 29 4 |
| Maltings Concert Hall, Snape: | Stephen Reiss: | 25 iii 25 |
| Man of la Mancha at the Piccadilly Theatre: | Ian B. Albery: | 27 i 29 |
| Mansell & Ogan Ltd.: | 22 i 4, 5, 15, 27, 29-33, 54, 55 | |
| Paul Marantz: | Software Theatre, A: | 30 51 |
| David March: | Sing A Song of Sixpence: | 43 i 11 |
| Herbert Marshall & Leon De Syllas: |
Project for Centre 42: | 22 iii 16 |
Norman Marshall: |
Cambridge Festival Theatre: | 20 i 7 |
| Charm and Splendour: | 28 37 | |
| Gardner Centre for the Arts The: |
28 58 | |
| Numbing Experience for Some: | 27 iii 5 | |
| Peter Marshall: | Sydney Opera House: | 42 i 16 |
| David Martin: | For the Want of a Nail..: | 39 i 24 |
| D.C. Martin: |
Colour Filter Development: | 37 i 11 |
| Now Follow That: | 37 i 17 | |
| F.W. Martin: |
Key to St. Peters The: | 28 103 |
| Report on a School Installation: | 21 ii 8 | |
| Tyr Martin: | Twin Theatres in Sweden: | 28 131 |
| Tim Masters: Going Deutsch: | 37 i 12 | |
| Matcham North - His Majesty's Theatre, Aberdeen: |
Tony Easterbrook: | 40 i 6 |
| May Fair Theatre: | Brian Taylor: | 21 ii 4 |
| Sean McCarthy: |
Exit the Boxes: | 25 iii 7 |
| Suburban Picture Frames: | 24 iv 15 | |
| R. de B. McCullough: |
Lighting for Television: | 25 ii 20 |
| Seeing The Flying Dutchman: | 17 i 16 | |
| Norah McNulty: |
Behind the Scenes at McDonald's: | 39 i 26 |
| Chromoid: | 38 ii 22 | |
| New Thorn CID Lamp, The: | 37 i 25 | |
| Saving Current Cost: |
37 i 16 | |
| Triplets in Tottenham Court Road: | 38 ii 13 | |
| Meanwhile, over at Liverpool ...: | Geoffrey Haley: | 30 32 |
| Mecca Dancing: | 22 i 27 | |
| Melbourne: | 22 i 112 | |
| John Melling, Ann Nolloth: | Adieu to snuffing Candles: | 15 iii 18; 16 i 28 |
| Alan Melville: | Name in Lights: | 17 iii 13 |
| Memorabilia: Frederick Bentham: | 36 iii 7 | |
| Memory Lighting Control for RADA: | 34 ii 19 | |
| Memory Revolution, The: | 32 i 17 | |
| Mermaid from a Little Used Aspect: | Frederick Bentham: | 17 ii 20 |
| Methuselah Muses: | Percy Corry: | 31 95 |
| Micklewright Ltd.: | 22 i 43, 65 | |
| Middlesborough Little Theatre: | Percy Corry: | 16 i 13 |
| Middleton Hall, University of Hull: | Martin Carr: | 25 iv 24 |
| Jo Mielziner: | ANTA - Washington Square Theater: | 22 ii 11 |
| Milestones: | Heinz Fritz: | 38 i 14 |
| Bentley Miller: | Evesham shows the Way: | 40 i 32 |
| James Hull Miller: | Picture Stage Without the Frame: | 19 iii 8 |
| Mini-2 Rules - OK!: | Gail Hardman: | 42 i 6 |
| Minispot and the Theatre: | 25 iv 15 | |
| Mirror, Mirror through the Wall: | A.M. Griffin: | 30 76 |
| MMS for Glyndebourne: | Francis Reid: | 35 ii 3 |
| Model Stages: | 5 iii 17; 7 i 14; 10 i 29; 14 iii 19 |
|
| Modified Rapture: | 26 i 2 | |
| Modular Memory Marches on: | 32 ii 7 | |
| Mole Richardson: | 22 i 109 | |
| Monarch of Bermuda: | 22 i 32 | |
| Montreal - EXPOsure 67: | Percy Corry: | 25 iii 3 |
| Montreal Studio 51: | H.P. Filion and T.C. Nutt: | 39 ii 28 |
| More about Instant Dimmer Memory: | 25 iii 5 | |
| More of Oliver!: Ian Albery: | 31 85 | |
| Mormon Tabernacle, The: | Ron Olsen: | 31 32 |
| Peter Moro: | Gulbenkian Centre University of Hull: | 25 iv 28 |
| Helsinki City Theatre: | 26 iv 4 | |
| New Theatre at Bonn: | 23 iv 11 | |
| Penultimate Thoughts on Theatre Design: | 23 i 25 | |
| Scandinavian Seminar Oslo: | 24 iii 23 | |
| Spectacles for Mass Audiences: | 20 ii 14 | |
| Theatres and Community Seminar: | 25 i 3 | |
| Theatre Royal, Bristol: | 30 4 | |
| Alistair Morrison: | The Moving Finger Lights and Having Lit: | 38 i 8 |
| David Morton: | Light as a Resource for Curriculum Drama in Middle
Schools: |
31 119 |
| Moss Empires: | 22 i 11, 12, 15 | |
| Most Adaptable Theatre of All: | Frederick Bentham: | 21 iii 18 |
| Mother's or Father's Day: | 25 ii 2 | |
| Mr Brown's Tea: | Jack Madre: | 22 iv 12 |
| Donald C. Mullin: |
Lighting the Arena Stage: | 23 ii 27 |
| Some Guidelines for Theatre in the Round: | 24 iii 12 | |
| Multi Lantern Complexity - Why ?: | Richard Pilbrow: | 25 iii 19 |
| Multi-Projector Complexity, A: | 31 57 | |
| Multi - Purpose for what purpose?: | 36 ii 2 | |
Multi Q: |
Francis Reid: | 35 i 16 |
| Music: | 9 i 8 | |
| Music, Colour: | 16 iii 23 | |
Music Hall 1968: |
Percy Corry: | 26 iv 20 |
Music on the Band Rail First: |
Mervyn Gould: | 36 ii 7 |
| Harry Myers: | T.V.O.B. Down Under: | 42 i 20 |
| My Impressions of the Mermaid Theatre: | G.E. Calthrop: | 17 ii 18 |
| N | ||
| NAME in Lights: | Alan Melville: | 17 iii 13 |
| Narodno Pozoriste, Belgrade: | J.T. Wood: | 29 72 |
| National Arts Centre Ottawa: | Wallace Russell: | 27 iii 35 |
| National Arts Centre, Ottawa: | Frederick Bentham: | 28 16 |
| National Gallery: | 22 i 42 | |
| National Theatre: | 8 iii 18; 34 ii 2 | |
| National Theatre Plans: | Frederick Bentham: | 26 i 16 |
| National Theatres of Prague: | Francis Reid: | 34 i 16 |
| Nearly 40 Years On: | John Burrell: | 43 i 8 |
| Netherlands: | 22 iv 37 | |
| John Neville: | Year at Nottingham: | 23 i 5 |
| New at the Albery Theatre: | 35 iii 5 | |
| New Control Systems for Würtemburger Staatstheater: |
Hanns Joachim Haas: | 39 ii 14 |
| New Data on Luminaires: | 36 ii 22 | |
| New from Rank Strand: | Philip Rose: | 36 iii 12 |
| New HQ for the Welsh National Opera Company: | 27 ii 22 | |
| New in New Orleans: | L.J. De Cuir: | 31 162 |
| New Lamps for Old: | John Counsell: | 34 i 18 |
| New Lighting at Glyndebourne: | Francis Reid: | 22 ii 15 |
| New Lighting Equipment at the Josefstadt Theatre-Vienna: |
Rudolph Fuchs: | 40 i 18 |
| New Peacock Theatre, Dublin: | 25 iii 12 | |
| Newport Little Theatre: | Martin Carr: | 26 i 25 |
| New Questors Theatre: | Frederick Bentham: | 22 ii 5 |
| New Stages with Exciting Possibilities: | Frederick Bentham: | 19 i 21 |
| New Sydney Theatres: | 35 ii 14 | |
| New Theatre at Bonn: | Peter Moro: | 23 iv 11 |
| New Theatre in Copenhagen: | Brian Legge: | 16 iii 19 |
| New Theatres for Old: | Percy Corry: | 20 iii 24 |
| New Thorn CID Lamp, The: | Norah McNulty: | 37 i 25 |
| New Vic of 1930, A: | Frederick Bentham: | 31 174 |
| New Village Theatre: | Percy Corry: | 18 i 13 |
| New Winter Garden Theatre (now New London) Drury Lane: |
M.J. Percival, ARIBA: | 28 53 |
| New World Symphony:: | 38 i 6 | |
| New Zealand: | 11 i 4; 32 ii 21 | |
| W.E.E. Nicholas: Compromise: | 30 63 | |
| Night Skies: | 10 iii 9 | |
| No bloody flys: | Tom Kelly: | 29 45 |
| No Home: | 9 iii 15 | |
| Ann Nolloth, John Melling: | Adieu to snuffing Candles: | 15 iii 18; 16 i 28 |
| Non-Flying Dutchman A: | Percy Corry: | 30 97 |
| Northern Branch of Strand: | 1 i 6 | |
| Michael Northern: | Of Mice and Men: | 30 41 |
| Norway: | 17 ii 24; 17 iii 23; 24 iii 23; 34 iii 16 | |
| No Seals for Thespis: | 24 iv 2 | |
| Notes on School Theatres: | Stephen Joseph: | 22 iv 25 |
| Nottingham 12 - Leicester 1: | 22 ii 2 | |
| Novel Adaptability in the City: | Roderick Ham: | 26 iii 5 |
| Now Follow That: | D.C. Martin: | 37 i 17 |
| Nuffield Theatre: | Richard Southern: | 22 ii 32 |
| Nuffield Theatre Studio in the University of Lancaster: |
Kenneth Parrott: | 27 iii 36 |
| Number Game, The: | Frederick Bentham: | 34 iii 19 |
| Numbing Experience for Some: | Norman Marshall: | 27 iii 5 |
| Bill Nunn: | Variable Geometry at Stratford: | 30 72 |
| T.C. Nutt and H.P. Filion: | Montreal Studio 51: | 39 ii 28 |
| O | ||
| Obituary | 'Woody' of Strand: | 43 i 23 |
| H.M. Cotterill: | 27 iv 6 | |
| Stephen Joseph: | 25 iv 5 | |
| Jean Rosenthal: | 27 iii 44 | |
| Object all Sublime: | Philip L. Edwards: | 26 ii 9 |
| Octagon Theatre, Bolton: | 25 iv 34; 26 i 4 | |
| Oedipus at Sadlers Wells: | 18 i 24 | |
| Off Broadway (Sydney): | Tony Youldon: | 42 i 21 |
| John Offord: Entertainment '81: | 39 i 28 | |
| Of Mice and Men: | Michael Northern: | 30 41 |
| Of Switchboards and Switchboard Operators: | Philip L.Edwards: | 37 i 19 |
| Oh Brave New World?: | D. Schauffer: | 34 i 15 |
Ron Olsen: |
Mormon Tabernacle, The: | 31 32 |
| Hill Cumorah Pageant: | 34 i 8 | |
| Once More with Feeling: | Graham Walne: | 38 i 23 |
| One Every 90 Seconds: | 38 ii 8 | |
| One Hundred and Ten: | 29 3 | |
| 130 Days in Gillingham: | John R. Pierson-Hagger: | 39 i 18 |
| One in the Eye is Worth Two in the Ear: | Nigel Pounder: | 39 ii 6 |
| One to Root Two: | 28 3 | |
| Only Preset Controls will do: | 29 14 | |
| On Not Building for Posterity: | Michael Elliott: | 31 41 |
| Opening Light in Sydney: | Robert Ornbo: | 32 i 11 |
| Opera: | 22 i 29, 56, 100 | |
| Opera House, Cork: | 24 iv 30 | |
| Opera House in Toronto: | Wallace Russell: | 23 iv 32 |
| Operation Opera: | Frederick Bentham: | 30 143 |
| Optical Effects: | 8 iii 21; 9 i 12; 9 ii 18; 16 i 27; 17 i 12; 17 ii 8; 18 ii 25; 21 iii 12 |
|
| Orbi et Urbi: | 30 120 | |
| Orchestra, entrances from: | 22 i 44 | |
| Organ, cinema: | 22 i 29, 58, 59 | |
| Organo ad Libitum: | Frederick Bentham: | 35 iii 19 |
| Roland Ormerod: | What In Me is Dark Illumine: | 33 iii 66 |
| Robert Ornbo: | Opening Light in Sydney: | 32 i 11 |
| J.S. Ostoja-Kotkowska: | Prometheus Unbound: | 36 iii 3 |
| Other End of the Scale: | 22 iv 23 | |
| Our French Connection: | 34 i 12 | |
| Michael Outhwaite: | Grand Tour of Goldsmiths Hall, The: | 31 15 |
| Overseas Agents: | 22 i 101, 102 | |
| Over the Styx: | 30 81 | |
| Oxford Playhouse: | 22 ii 24 | |
| P | ||
| Pageants: | 9 i 5 | |
| Painting with Light: | 25 iv 36 | |
| Pakistan: | 23 iv 22 | |
| Palace Revolution: Alan Jowett: | 38 i 4 | |
| Stuart R. Palmer: | Four into Three Will Go: | 43 i 14 |
| Pani of Candle Street: | 33 iii 16 | |
| Pantomime at the Theatre Royal, Norwich: | Tony Mallion: | 29 4 |
| Paramount: | 22 i 60 | |
| Paris: | 22 i 62 | |
| Paris Théâtre Des Varietés: | Georges Le Blanc: | 34 ii 22 |
| Kenneth Parrott: | Nuffield Theatre Studio in the University of Lancaster: | 27 iii 36 |
| Patch Panel: | 22 i 12, 13, 102, 106, 114 | |
| Paul Thone Hall Gutersloh The: | 30 46 | |
| John Pavacik and Holly Sherman: | The Gongman is 12'9" Tall! Strand Century: | 39 ii 22 |
| Penultimate Thoughts on Theatre Design: | Peter Moro: | 23 i 25 |
| Per Ardua Ad Astra: | The Editor: | 31 10 |
| Per Ardua ad Cavum in Terra: | David and Roberta Lyons: | 29 41 |
| M.J. Percival, ARIBA: | New Winter Garden Theatre (now New London) Drury Lane: | 28 53 |
| Perfect Effect: | Andy Collier: | 43 i 26 |
| Perfect Secretary for Strand Electric: | J.D.H. Sheridan: | 22 iv 4 |
| Performances Had To Be Given In the Dark: |
Frederick Bentham: | 29 26 |
| Permus - A New Range of Dimmers: | D. Bertenshaw: | 39 i 25 |
| Clive Perry: | Special Circumstances at Leicester: | 23 i 23 |
| David Perry: | Costumes at Stratford: | 31 170 |
| Peter Cheeseman talks around Lighting: | 30 148 | |
| Peter Cheeseman talks around Theatre: | 30 110 | |
| Peter Harris - TM1: | Bob Anderson: | 32 i 5 |
| Phoenix Theatre, Leicester: | 21 iii 15 | |
| Photography: | 18 iii 23 | |
| Photography: | 22 i 68, 78, 111 | |
| Piano Keyboard Modification for SP80: | Laurence Southern: | 31 186 |
| Picture Stage Without the Frame: | James Hull Miller: | 19 iii 8 |
| John R. Pierson-Hagger: | 130 Days in Gillingham: | 39 i 18 |
| Richard Pilbrow: | Baal: | 21 ii 12 |
| Lightboard: | 33 iii 11 | |
| Lighting Designer in the Theatre: | 21 ii 12 | |
| Lighting in '81: | 38 ii 16 | |
| Multi Lantern Complexity - Why ?: | 25 iii 19 | |
| Travels of a Lighting Designer: | 32 ii 10 | |
| Via the New Broadway: | 31 63 | |
| Pitlochry Festival Theatre: | Percy Corry: | 23 iv 6 |
| Pitlochry Festival Theatre - The Installation Story: |
Mike Smyth: | 38 i 19 |
| Planning for Dramatic Education: | Percy Corry: | 24 i 29; 24 iii 39 |
| Planning the Oliver! National Tour: | Ian B. Albery: | 24 i 4 |
| Playwriting: | 6 iii 5; 9 iii 10; 10 i 35 |
|
| Plotting (automatic): | 17 ii 22 | |
| Plotting (for a Pageant): | 7 ii 15 | |
| Plotting LP in the new Her Majesty's Sydney: | Melvin Conder: | 33 i 18 |
| Portable Stage for the Royal Ballet, A: | Steve Futers: | 37 i 7 |
| Portrait of an Agent: |
Kevin Bourke - Bourke Strand Electric Dublin: | 37 i 10 |
| Yamagiwa Corporation of Japan: | 40 i 12 | |
| Portugal: | 22 i 76-80, 101; 30 44 | |
| Nigel Pounder: | Environ for Animation: | 41 i 24 |
| One in the Eye is Worth Two in the Ear: | 39 ii 6 | |
| Christopher Powell: | Gel Choice Made Easy: | 34 1 22 |
| Prague Quadrennial '75: | Francis Reid: | 34 i 17 |
| Pre-set spots and other Irregularities: | 29 148 | |
| Price of Economy The: | A.K. Whitehouse: | 36 i 18 |
| Private Theatres & Cinemas of Britain: | 38 ii 11 | |
| Producing: | 5 ii 5 | |
| Producing The Flying Dutchman: | Dennis Arundell: | 17 i 6 |
| Production and Playgoing: | 14 iii 8 | |
| Productions: | Alceste: | 35 iii 14 |
| Antony and Cleopatra: | 12 i 15 | |
| Anything Goes: | 22 i 15 | |
| Armide: | 39 ii 21 | |
| Atlanta: | 28 121 | |
| Baal: | 21 ii 12 | |
| Battle of Zeebrugge: | 22 i 24, 25 | |
| Between the Bars: | 29 98 | |
| Blitz: | 22 i 44, 60 | |
| Boots with Strawberry Jam: | 26 ii 15 | |
| Bow Bells: | 22 i 36, 44 | |
| Boy Friend: | 22 i 45 | |
| Brighter London: | 22 i 10 | |
| Bye Bye Birdie: | 22 i 78 | |
| Candida: | 22 i 61 | |
| Cardiff Searchlight Tattoo: | 43 i 32 | |
| Carousel: | 22 i 78 | |
| Cat and the Fiddle: | 22 i 36, 38, 44 | |
| Cavalcade: | 22 i 44 | |
| Cinderella: | 22 i 21, 22 | |
| Death of a Salesman: | 7 iii 16 | |
| Die Frau ohne Schatten: | 25 iii 14 | |
| Don Joao IV: | 22 i 79 | |
| Edinburgh Tattoo in Hobart Tasmania: | 36 ii 16 | |
| Edward II: | 28 4 | |
| Evergreen: | 22 i 46 | |
| Fête de Vignerons: | 36 i 4 | |
| Fidelio: | 22 i 56, 28 128 | |
| Flying Dutchman: | 17 i 5; 30 97 | |
| Gangway: | 22 i 87 | |
| Ghost Train: | 43 i 4 | |
| Godspell: | 43 i 10 | |
| Golden Legend: | 16 iii 9 | |
| Good Companions: | 22 i 20, 21, 32 ii 10 | |
| Götterdämmerung: | 21 iii 12 | |
| Hallelujah Hollywood: | 33 ii 11 | |
| Hamlet: | 14 i 10, 22 ii 20 | |
| Hansel and Gretel: | 22 i 36 | |
| Helen: | 22 i 45, 46 | |
| I and Albert: | 31 57 | |
| Ideal Home Exhibition, 1958: | 16 i 4 | |
| Idomeneo (stage and television): | 33 i 5 | |
| Il Fratello Inamorato: | 35 iii 14 | |
| Jesus Christ Superstar: | 30 137 | |
| Jonah and the Whale: | 22 i 38 | |
| Jorrocks: | 24 iv 5 | |
| King Lear: | 22 i 10 | |
| Knot Garden: | 29 16 | |
| Lichfield Cathedral 750th Anniversary: | 4 ii 18 | |
| London Defended: | 22 i 23 | |
| Lute Song: | 6 iii 18 | |
| Macbeth: | 22 i 44, 86 | |
| Magic Flute, The: | 32 i 11 | |
| Man of la Mancha: | 27 i 29 | |
| Marlene Dietrich: | 34 ii 8 | |
| Mikado The: | 43 i 4 | |
| Mikado, The (television): | 32 i 5 | |
| Miracle: | 22 i 44 | |
| Mousetrap: | 30 41 | |
| Music and Magic: | 22 i 15 | |
| My Fair Lady: | 22 i 36 | |
| Newton Chambers & Co. Pageant: | 4 ii 18 | |
| Nottingham Pageant: | 7 ii 15 | |
| Oedipus: | 18 i 24 | |
| Old Vic Tour: | 11 ii 4 | |
| Oliver: | 43 i 6 | |
| Oliver!: | 18 ii 6; 31 85 | |
| Oliver! National Tour: | 24 i 4 | |
| Pageant of Empire: | 22 i 22, 23 | |
| Pageant of Parliament: | 22 i 27 | |
| Princess Ida: | 43 i 5 | |
| Richard II: | 28 4 | |
| Rigoletto: | 26 i 34 | |
| Ring, The: | 22 i 56 | |
| Romeo and Juliet: | 29 63 | |
| Round in Fifty: | 22 i 9 | |
| Royal Ballet tour: | 16 iii 11 | |
| Royal Pantomime: | 6 i 4; 10 i 5 | |
| School for Scandal: | 28 82 | |
| Seagull. The: | 31 115 | |
| Sing a Song of Sixpence: | 43 i 11 | |
| Stop Press: | 22 i 46 | |
| Streamline: | 22 i 15 | |
| Strike a Light: | 24 iv 5 | |
| The Flying Dutchman: | 17 i 5 | |
| The Kitchen: | 19 iii 7 | |
| The Three Sisters: | 25 ii 14, 20 | |
| Tobias and the Angel: | 22 i 38, 39 | |
| Tosca: | 22 iii 6 | |
| Treasure Island: | 22 i 5 | |
| Unquiet Spirit: | 22 i 39 | |
| Waltzes from Vienna: | 22 i 33-35 | |
| White Horse Inn: | 22 i 45 | |
| Willow Tree: | 22 i 8 | |
| Wizard of Oz: | 43 i 4 | |
| Wozzeck: | 37 i 5 | |
| Yeomen of the Guard : | 43 i 3 | |
| York Cycle of Mystery Plays: | 12 ii 7; 15 ii 20 | |
| Young Madame Conti: | 22 i 63 | |
| Professor Pepper's Phantasmagoria: | Brian Legge: | 29 104 |
| Profile of a Pioneer: | Percy Corry: | 15 iii 7 |
| Programme Lights: | 33 i 21 | |
| Projected Scenery at the Questors: | Bob Anderson: | 28 82 |
| Project for Centre 42: | Herbert Marshall & Leon De Syllas: | 22 iii 16 |
| Projection Developments: | 32 i 19 | |
| Project Seagull Chichester: | B. Bear: | 31 115 |
| Prometheus Unbound: | J.S. Ostoja-Kotkowska: | 36 iii 3 |
| Props: | 8 ii 21; 13 ii 24 | |
| Victor Prus: | Grand Theatre de Quebec Le: | 30 55 |
| Publicity: | 16 i 21 | |
| Pursuit of Happiness, The: | 28 1 | |
| Put and Take: | 28 39 | |
| Pyrotechnics: | 7 iii 28; 15 iii 29 | |
| Q | ||
| Quartzcolor Ianiro: | 35 ii 20 | |
| Queen Elizabeth and Purcell: | Frederick Bentham: | 25 i 13 |
| R | ||
| Rae, Colin : | All the World’s a Computerised Stage: | 38 ii 24 |
| Raking: | (see Stage) | |
| Rank Strand Sound: | Philip Rose: | 36 i 17 |
| John B. Read: | Lighting for Edward II and Richard II: | 28 11 |
| Realism and Illusion: | 9 i 18 | |
| Reandean: | 22 i 65 | |
| Recollections and Reflections: | Basil Dean: | 20 iii 5 |
| Redgrave Patch Panel: | James Laws: | 34 i 19 |
| Reflectors: | 22 i 9 | |
| Regent Melbourne Hotel Grand Ballroom: | Peter Crossley: | 40 i 34 |
| Regina v Scipio: | 25 iv 4 | |
| Regulations and Rules for Places of Entertainment: | 5 ii 25; 5 iii 3; 7 i 26 | |
| Rehearsals, lighting: | 9 iii 25 | |
| Reiche & Vogel: | 22 i 9, 64, 65 | |
| Francis Reid: | Adaptability in Essex: | 30 83 |
| Am I Lit Here: | 31 12 | |
| Angles for Thrust: | 33 ii 20; 33 iii 24 | |
| Eton College, New Hall: | 27 i 14 | |
| First Ten Spots, The: | 33 i 20 | |
| Focusing: | 29 80 | |
| Fond Memory Brings the Light: | 33 i 8 | |
| Francis Reid Goes East and Under: | 42 i 12 | |
| Getting Organised: | 32 ii 5 | |
| Horseshoe Intimacy in Inverness: | 34 iii 3 | |
| In an English Country Garden: | 28 121 | |
| Jack and Jill went Down the Strand to Patch a Plug and Socket: | 31 130 | |
| Jersey Stage, The: | 35 iii 17 | |
| Lighting Design in Germany: | 35 iii 7 | |
| Mac Robert and Brunton: | 29 130 | |
| MMS for Glyndebourne: | 35 ii 3 | |
| Multi Q: 3 | 5 i 16 | |
| National Theatres of Prague: | 34 i 16 | |
| New Lighting at Glyndebourne: | 22 ii 15 | |
| Prague Quadrennial '75: | 34 i 17 | |
| Shall I See it from the Box Office: | 39 i 9 | |
| Shall We Thrust?: | 33 i 22 | |
| Square One: | 29 56 | |
| Theatre Among the Fiords: | 34 iii 16 | |
| Theatre of War: | 28 72 | |
| This Blessed Plot: | 30 68 | |
| Verdi Adds About Fifty: | 31 74 | |
| Stephen Reiss: | Maltings Concert Hall, Snape: | 25 iii 25 |
| Relay Race for Voices: | John Barber: | 30 127 |
| Report on a School Installation: | F.W. Martin: | 21 ii 8 |
| Resurrection of a Long Dead Television Studio: | Tom Deakin: | 38 i 26 |
| Retreat to Moscow: | 39 i 18 | |
| Reviving Revivals: | 9 ii 9 | |
| Revolution in Studio Lighting Techniques, A: | Rudiger Kreckel: | 41 i 14 |
| Christopher Richardson: | Uppingham Theatre: | 31 23 |
| John & Penny Richardson: | Wanganui Opera House: | 42 i 19 |
| Richmond Preserv'd: | Percy Corry: | 20 ii 8 |
| Peter G. Rich: | Lighting with Military Precision: | 36 ii 16 |
| Gordon Robson Small: | Face Lift to the Natal Playhouse: | 41 i 26 |
| Romeo and Juliet at East 15: | Geoffrey Haley: | 29 63 |
| Philip Rose: | Case of Identity: | 19 iii 26 |
| Cederbrae Secondary School: | 21 i 27 | |
| Design for the 80's: | 36 ii 23 | |
| Duet: | 36 ii 14 | |
| Ford's Theatre, Washington D.C.: | 28 109 | |
| For the First Time on Any Stage: | 35 i 14 | |
| New from Rank Strand: | 36 i 17 | |
| Rank Strand Sound: | 36 i 17 | |
| Stratford's Other Theatre: | 23 i 31 | |
| T-Spot: | 33 iii 9 | |
| University of Waterloo, Arts Building: | 21 ii 25 | |
| USITT Fourth Annual Conference: | 22 iii 21 | |
| What's New: | 34 i 10 | |
| Derrick Ross: | It All began with the Torch: | 39 ii 12 |
| Rowlinson School: | E.W. Walker: | 28 117 |
| Royal Box: | Ian Bevan: | 35 iii 3 |
| Royal Concert Hall - Nottingham: | Bob Anderson: | 40 i 20 |
| Royal Opera House, Covent Garden: | 22 iv 14 | |
| Royal Progress at the Barbican: | 26 ii 5 | |
| Royal Return A: | Iain Mackintosh: | 36 ii 3 |
| Royal Shakespeare at the Barbican: | 24 iv 32 | |
| Royalty Theatre: | 18 ii 22 | |
| Royal Visitor: | 22 i 67, 68 | |
| RTM Vehicle: | Vic Gibbs: | 38 ii 30 |
| Mike Rump: | Ali-Din and the Dirty Dixie: | 43 i 12 |
| Running in - please pass!: | 30 119 | |
| Wallace Russell: | National Arts Centre Ottawa: | 27 iii 35 |
| Opera House in Toronto: | 23 iv 32 | |
| Russia: | 14 i 10 | |
| S | ||
| SAAB Sound M24: | Bjorn Claeson: | 43 i 30 |
Freddie Sadler: |
Act as Known - Illuminating the No 2 & 3 Music Halls and Performers of 60 years Ago: | 39 i 12 |
| Sadler's Wells at the London Coliseum: | Frederick Bentham: | 26 iv 10 |
| Salisbury Cathedral: | 22 i 61 | |
| Samoiloff: | 22 i 8-10, 50, 109 | |
| San Diego on Thames: | Susan Dandridge: | 39 i 4 |
| James Sargant: | Madame Tussaud in Amsterdam: | 29 12 |
| Saturday Night and Sunday Morning at the London Palladium: | Frederick Bentham: | 24 iv 25 |
| Saving Current Cost: | Norah McNulty: | 37 i 16 |
| Saying Sooth: | 33 i 2 | |
| Scala Barcelona: | Chris Baldwin: | 32 ii 16 |
| Scandinavian Seminar Oslo: | Peter Moro: | 24 iii 23 |
| Scarecrow or a scaley problem: | 29 112 | |
| Scene Projection: | 18 ii 25; 19 iii 8; 21 ii 12; 22 i 38, 39, 56 23 iii 14; 25 iii 14; 26 ii 15, 21; 28 82; 29 16; 31 57; 31 115 |
|
| Scenery: | 10 iii 18; 13 ii 19; 13 iii 22; 22 i 72 | |
| Scenes in the Theatre: | Frederick Bentham: | 29 89 |
| D. Schauffer: | Oh Brave New World?: | 34 i 15 |
Schools etc.: |
22 i 59, 113, 114 | |
| School Ties: | 43 i 15 | |
| Schwabe Co. (Reiche & Vogel): | 22 i 9, 64, 65 | |
| John Schwiller: | Blinded by Science: | 36 ii 18; 36 ii 24; |
| John Schwiller and Michael Wolfe: | Instant Colour: | 35 ii 18 |
| Science Museum: | 22 i 71 | |
| Scientia sine Arte Nihil est: | Frederick Bentham: | 36 i 19 |
| Scottish Opera: | Derek Sugden: | 34 ii 3 |
| Scottish Opera's "Fidelio": | Charles Bristow: | 28 128 |
| Searchlights: | 22 i 23 | |
| Season with a New Galaxy, A: | John Bradley: | 39 ii 24 |
| Secret Service, The: | 27 iii 4 | |
| Seeing Oliver: | K.R. Ackerman: | 18 ii 17 |
| Seeing The Flying Dutchman: | R. de B. McCullough: | 17 i 16 |
| Self Annihilation or Good Council: | 27 iii 3 | |
| Self Climbing Hoists: | Steve Futers: | 38 i 25 |
| Self Control: | 31 40 | |
| Self Control correspondence: | 31 79 | |
| Self Preservation: | 27 i 2 | |
| Selfridges: | 22 i 88, 89 | |
| Setting a Television Lighting Trend: | 43 i 28 | |
| Seventy Years on - Strand 1914-1984: | 41 i 2 | |
| Shakespeare Tour in the East: | Brian Benn: | 23 iv 22 |
| Shall I See it from the Box Office: | Francis Reid: | 39 i 9 |
| Shall We Thrust?: | Francis Reid: | 33 i 22 |
| Shaw Theatre, Camden: | Peter Woodham: | 29 31 |
| Shedding Light on School Drama: | W.J. Besk: | 36 iii 20 |
| Sheet Metal Work: | 22 i 14, 30, 36, 54, 56 | |
| A. Sheppard: | Chinguacousy Theatre: | 31 152 |
| Harvey Sheppard: | Dillington House Theatre: | 18 iii 8 |
| J.D.H. Sheridan: | Ambassador-at-large: | 27 i 4 |
| Perfect Secretary for Strand Electric: | 22 iv 4 | |
| Holly Sherman and John Pavacik: | The Gongman is 12'9" Tall! Strand Century: |
39 ii 22 |
| Shifting the Scene: | John de Lannoy: | 31 106 |
| Showroom: | 22 i 46-48, 51-53 | |
| Shut that door!: | 30 39 | |
| Sierra Leone: | 28 98 | |
| Alan Siggers: | Victorian Arts Centre, The: | 42 i 30 |
| Signs: | 22 i 17, 18, 48, 50, 60, 69, 77, 92 | |
| Catherine Simpson: | How We Lit Godspell: | 43 i 10 |
| Sing A Song of Sixpence: | David March: | 43 i 11 |
| Slainte Mhath in Mull: | 26 iii 10 | |
| Slight on Stage Lighting: | 29 136 | |
| Smile Please and Cue One Go: | Graham Walne: | 32 i 4 |
| Mike Smythe: | Callendar Park College, Falkirk: | 27 ii 18 |
| Tale of Two Schools, A: | 41 i 12 | |
| Holiday Inn - Glasgow: | 39 ii 20 | |
| Pitlochry Festival Theatre, The Installation Story: | 38 i 19 | |
| Geoffrey Snelson: | Lighted Entirely by Electricity: | 15 ii 16 |
| Society of Television Lighting Directors: | Alan Horne: | 38 i 24 |
| Software Theatre A: | Paul Marantz: | 30 51 |
| Soft Words and Hard Arguments: | 32 i 2 | |
| Some Advice on Stage Lighting: | B. E. Bear: | 24 iii 27 |
| Some Came Running: | Reg Bartram: | 35 iii 23 |
| Some Guidelines for Theatre in the Round: | Donald C. Mullin: | 24 iii 12 |
| Something old something new..: | Denis Irving: | 31 125 |
| Son et Lumiere: | 15 iii 15; 16 ii 24; 16 iii 9 | |
| Son et Lumiere: | B.E. Bear: | 15 iii 15 |
| Son et Lumiere Again: | Frederick Bentham: | 16 ii 24 |
| Sound: | 7 iii 10; 8 i 4; 8 iii 17; 9 ii 15 | |
| Soundboard?: | Graham Walne: | 34 iii 14 |
| South Africa: | 22 iv 29; 33 i 10,21; 35 i 12 | |
| Southern Cross: Denis Irving: | 30 137 | |
| Laurence Southern: | Piano Keyboard Modification for SP80: | 31 186 |
| Richard Southern: | Do Even the Greeks have a Word for it?: | 17 iii 17 |
| Nuffield Theatre: | 22 ii 32 | |
| Spain: | 32 ii 16 | |
| Special Circumstances at Leicester: | Clive Perry: | 23 i 23 |
| Spectacles for Mass Audiences: | Peter Moro: | 20 ii 14 |
| Sport: | 22 i 1, 6, 7, 19, 20, 27 | |
| Spotlighting: | 22 i 41, 45, 46, 116 | |
| Spotlighting: | William Lorraine: | 16 iii 16 |
| Spotlighting: | Exhibition: | 22 i 27, 62 |
| Front of House: | 22 i 33-36, 39, 41, 60 | |
| Spotlight on Canada: | Leslie Yeo: | 17 ii 17 |
| Spotlights: (see Lanterns) | ||
| Square One: | Francis Reid: | 29 56 |
| Squaring the Circle - correspondence: | 28 76; 28 106; 28 147; 29 35 | |
| Stables Theatre Club, The: | Percy Corry: | 27 ii 15 |
| Stabs in the Front: | 29 2 | |
| Stage: | Arena Stage: | 12 iii 7 |
| Multi-purpose Stage: | 13 iii 16 | |
| Open Stage: | 12 iii 16; 14 ii 23 | |
| Planning the Small Stage: | 11 iii 3 | |
| Raking Stage: | 6 i 20; 14 i 20; 16 ii 16 | |
| School Stage: | 11 ii 15 | |
| Stage Equipment: | 11 iii 8 | |
| Stage Management: | 4 ii 3; 18 iii 17; 20 ii 25 | |
| Stage Terms: | 5 i 4; 9 i 11 | |
| Stage Lighting and Theatre: | Frederick Bentham: | 26 iii 24 |
| Stage Lighting for Theatre in the Round: | Stephen Joseph: | 22 iii 25 |
| Stage Lighting in the 19th Century: | Brian Legge: | 26 iii 17 |
| Stage Lighting Remote Control System of c.1895: | T.E. Howard: | 31 188 |
| Stage Management at Chichester: | Diana Boddington: | 20 ii 25 |
| Stage, Open | ||
| Stage Planning 1971: | 29 62 | |
| Stages in America: | Percy Corry: | 19 ii 18 |
| Staging at the Aldwych: | Keith Green: | 19 i 4 |
| St. Albans, The Abbey Theatre: | Brian Benn: | 26 ii 22 |
| Stalling or Immobility: | 29 111 | |
| Stalling or Immobility - correspondence: | 30 37 | |
| Standard Electrical Layout: | 23 iv 9 | |
| Stands Scotland where it did?: | 30 36 | |
| Start with the Coda: | Frederick Bentham: | 40 i 22 |
| Joy Steele, K.A. Eaton: | Theatre in the Round: | 18 ii 19 |
| Stephen Joseph's Ideal Stage: | 28 76 | |
| Christopher Stevens, Peter Jay: | Chichester Festival Theatre: | 20 i 20 |
| St. Martin's-in-the-Fields: | 22 i 41, 42 | |
| St. Martin's Lane: | See Garrick Yard | |
| L. Stokes-Roberts, Percy Corry: | Colour Music: | 16 i 23 |
| St Paul's Cathedral: | 22 i 12 | |
| Strand Enter a New Market (Environ): | 38 ii 14 | |
| Strand in New Zealand: | 42 i 18 | |
| Strandlight: | 43 i 2 | |
| Strands of Incandescent Carbon: | Brian Legge: | 36 iii 22 |
| Strand Sound Talks Back: | John Davies: | 37 i 22 |
| Stranmillis College Studio Theatre, Belfast: | Colin R.Latchem: | 28 32 |
| Stratford: | 5 i 21; 5 ii 16 | |
| Stratford-on-Avon in London: | 18 iii 6 | |
| Stratford Ontario Festival Theatre: | Bruce Buck: | 30 2 |
| Stratford Revisited: | Frederick Bentham: | 30 14 |
| Stratford's Other Theatre: | Philip Rose: | 23 i 31 |
| Street Lighting in Southwark: | 28 79 | |
| Stroboscopes for Illusion Lighting: | Frank Dawe: | 33 i 20 |
| Studio Theatre - Cannon Hill: | John English: | 23 iii 25 |
| Styling the Light: | 35 ii 2 | |
| Subsidy - Stimulus or Soporific ?: | 13 iii 25 | |
| Suburban Picture Frames: | Sean McCarthy: | 24 iv 15 |
| Derek Sugden: | Scottish Opera: | 34 ii 3 |
| Sunday Afternoon at the London Palladium: | 32 i 24 | |
| Sunrise Studios - Strand's part in Breakfast TV: | Fred Humphrey: | 40 i 16 |
| Super Projection in the Garden at the Garden: | 29 16 | |
| Superstitions: | 10 iii 21 | |
| Suspense Story: | Steve Futers: | 39 ii 29 |
| Sweden: | 21 i 24; 28 131 | |
| Elizabeth Sweeting: | Animal, Vegetable or Mineral: | 28 144 |
| Swinton Public Library and Hall: | Percy Corry: | 28 88 |
| Swiss Spectacular: | Alex de Jonge: | 36 i 4 |
| Switchboard: | Devine, George: | 6 ii 23 |
| Dimmer Differences: | 13 iii 5 | |
| Electronic Control: | 7 ii 19 | |
| Lighting Control: | 14 i 13; 14 iii 10; 15 i 20; 15 ii 25; 15 iii 22; 16 i 6; 16 iii 28 | |
| Manually Operated Switchboard: | 11 ii 23 | |
| P.R. Control System: | 13 ii 5 | |
| Saturable Reactor Dimmer Boards: | 12 ii 18 | |
| Switchboard Design: | 6 iii 23; 7 i 19 | |
| Switchboard Survey: | 9 iii 23; 13 iii 10 | |
| TV Studios: | 13 iii 18; 16 iii 5; 18 ii 5 | |
| Dead front: | 22 i 12 | |
| First Strand: | 22 i 10, 11 | |
| Grand Master: | 22 i 42-44, 50, 54, 56, 60, 69, 77, 81 | |
| Junior: | 22 i 58, 102 | |
| Portable: | 22 i 44 | |
| Switzerland: | 13 iii 14 | |
| Sydney Opera House: | Peter Marshall: | 42 i 16 |
| T | ||
| Tabmans Diary: | Regular | |
| Tabs: | 1 i 1 | |
| Tabs on Tabs: | Alan Jowett: | 38 ii 23 |
| Tale of a Switchboard The: | 28 101 | |
| Tale of Three Switchboards A: Frederick Bentham: | 30 23 | |
| Tale of Two Cities, A: | Frederick Bentham: | 31 138 |
| Tale of Two Schools, A: | Mike Smythe: | 41 i 12 |
| Talking Shop: | R.M. Harris: | 36 iii 24 |
| Tasmania: | 11 i 17 | |
| Brian Taylor: | May Fair Theatre: | 21 ii 4 |
| Teatro Alla Scala: | 34 ii 12 | |
| Technical Terms: | 12 i 13; 17 iii 17 | |
| Technical Terms: | 17 iii 17 | |
| Technical Terms: | 23 iii 4 | |
| Techniques of Stage Lighting : | precis: | 28 63 |
| Tecknik, Tecknik über alles: | Alex de Jonge: | 36 iii 18 |
| Television: | 16 iii 4; 16 iii 28; 18 ii 5; 19 ii 4; 20 ii 6; 21 i 16; 22 ii 31; 23 iv 26, 28; 25 i 24; 25 ii 20; 26 iii 3; 27 i 6; 31 149; 32 i 5, 24; 32 ii 7; 33 i 3; 34 iii 12; 35 ii 20 |
|
| Television Design: | Richard Greenough: | 23 iv 28 |
| Television Lighting: | 22 i 59, 69, 74, 87, 101, 103, 109 | |
| Television Lighting 2000 or even 1984!: | K.R. Ackerman: | 29 68 |
| Television studios: | Alexandra Palace: | 22 i 69, 103 |
| A-R TV House: | 22 i 108 | |
| BBC TV Centre: | 22 i 108 | |
| Cologne, W.D.R.: | 22 i 102, 103 | |
| Elstree ATV: | 22 i 108 | |
| Hamburg, N.W.D.R.: | 22 i 103 | |
| Lime Grove: | 22 i 104 | |
| Manchester, Granada: | 22 i 108 | |
| Riverside: | 22 i 105, 107 | |
| Teddington ABC: | 22 i 108 | |
| Telefis Eireann: | 22 i 74 | |
| Toronto, Channel 9: | 22 i 113 | |
| Wembley A.-R.: | 22 i 106, 107 | |
| Telly is too good: | 26 iii 2 | |
| Ten Days to Tabs!: | John Wyckham: | 33 i 14 |
| Tennent H.M. Ltd.: | 22 i 67, 86 | |
| 1066 and all that: | 30 1 | |
| Thank you, Francis!: | 36 i 3 | |
| Thank You, Fred!: | 32 i 3 | |
| That Place gets Uglier!: | 31 39 | |
| Theatre Among the Fiords: | Francis Reid: | 34 iii 16 |
| Theatre and Community Seminar: | Peter Moro: | 25 i 3 |
| Theatre Centre: | 24 iv 3 | |
| Theatre Design in Great Britain: | Frederick Bentham: | 24 ii 3 |
| Theatre Goes North: | Karl Eilert Wiik: | 17 ii 24; 17 ii 23 |
| Theatre History and Architecture: | Iain Mackintosh: | 29 60 |
| Theatre History and Architecture - correspondence: | 29 150 | |
| Theatre in Hungary: | Michael Wooderson: | 19 i 28 |
| Theatre in Leicester: | Richard Leacroft: | 17 ii 9 |
| Theatre in the Round: | Ian Albery: | 19 i 16 |
Theatre in the Round: |
K.A. Eaton, Joy Steele: | 18 ii 19 |
| Theatre in the Round: | Stephen Joseph: | 15 ii 8 |
| Theatre Lighting 2000 - A Darkling View: | Frederick Bentham: | 29 49 |
| Theatre of the Universe: | Richard Dines: | 32 ii 18 |
| Theatre of War: Francis Reid: | 28 72 | |
| Theatre Photography: | John Vickers: | 18 iii 23 |
| Theatre Royal, Back Drawing Room: | 28 62 | |
| Theatre Royal, Bristol: | Peter Moro, FRIBA: | 30 4 |
| Theatres: |
Aberdeen, Childrens Theatre: | 18 i 6; 18 ii 26 |
| Aberdeen, His Majesty's: | 40 i 6 | |
| Adaptable Theatre: | 15 i 10; 15 iii 10 | |
| Adelaide, Festival: | 30 101; 31 124; 31 125; 42 i 32 | |
| Adelaide University, Union Hall: | 17 i 24 | |
| Admiralty: | 22 i 24, 25 | |
| Ankara,Turkey, Opera House: | 22 i 95, 96 | |
| Ayr, Craigie College: | 27 iii 14 | |
| Bagnor (Berkshire), Watermill: | 28 91; 39 i 8 | |
| Batley, Variety Club: | 26 iv 20 | |
| Bayreuth, Festspielhaus: | 36 i 19 | |
| Belfast, Lyric: | 26 iv 27 | |
| Belfast, Stranmillis College, Studio Theatre: | 28 32 | |
| Belgrade, Narodno Pozoriste: | 29 72 | |
| Bergen, Den Nationale Scene: | 34 iii 16 | |
| Berlin, Deutsche Oper: | 36 iii 16 | |
| Berlin, Palast der Republik: | 35 ii 16 | |
| Billingham, Forum: | 25 iv 18 | |
| Binghampton Harpur College: | 19 ii 18; 20 i 16 | |
| Birmingham, Cannon Hill: | 19 iii 26; 23 iii 25; 24 ii 12 | |
| Birmingham, Crescent: | 22 iv 6; 23 i 35; 24 ii 14 | |
| Birmingham, Empire: | 22 i 14 | |
| Birmingham, Repertory: | 29 114 | |
| Birmingham, Saltley, St Peters College: | 28 103 | |
| Birmingham University, Allardyce Nicoll Drama Studio: | 29 95 | |
| Bolton, Octagon: | 25 iv 34; 26 i 4 | |
| Bonn, Stadttheater: | 23 iv 11 | |
| Bracknell, Berkshire, The Wilde: | 42 i 8 | |
| Braunschweig, Staatstheater: | 35 i 20 | |
| Brentford, Watermans Art Centre: | 42 i 7 | |
| Brisbane, SGIO Theatre: | 28 43 | |
| Bristol, New Vic: | 30 4; 30 121 | |
| Bristol, Theatre Royal (Old Vic): | 30 4 | |
| Bristol University, Vandyck: | 26 iii 12 | |
| Brussels, British School: | 39 i 10 | |
| Budapest, Hungarian State Opera: | 31 21 | |
| Bury St. Edmunds, Theatre Royal: | 23 ii 6; 24 ii 15, 39 i 9 | |
| Cabrillo Junior College: | 22 iii 32 | |
| Californian Institute of Arts, Modular Theatre: | 30 51 | |
| California University, Berkeley, Zellerbach: | 30 101 | |
| Camberley, Alanbrooke Hall: | 28 72 | |
| Camberwell (Victoria), Civic Centre: | 28 43 | |
| Cambridge, Festival: | 20 i 7; 22 i 34, 71 | |
| Camden Town, Roundhouse: | 27 ii 9 | |
| Canberra Theatre Centre: | 23 iii 19 | |
| Canonbury, Tower: | 26 iv 24 | |
| Canterbury, Gulbenkian: | 27 iv 25 | |
| Caracas, Teatro del Este: | 22 1 96 | |
| Cardiff and Monmouthshire University, Dept. of Music: | 31 45 | |
| Cardiff, Bute: | 31 45 | |
| Cardiff, Caricature: | 31 45 | |
| Cardiff, New: | 28 4; 31 45 | |
| Cardiff, Sherman: | 31 45; 31 148 | |
| Cardiff, St David's: | 21 iii 27 | |
| Castlebay, Barra, Community School: | 41 i 12 | |
| Cederbrae Secondary School: | 21 i 27 | |
| Century Theatre: | 12 ii 10 | |
| Chester, Gateway: | 27 i 32 | |
| Chichester, Festival: | 20 i 20; 20 ii 25; 24 ii 17 | |
| Chinguacousy, Lester B. Pearson Memorial: | 31 152 | |
| Clifton College: | 25 ii 10 | |
| Colchester, Mercury: | 30 83 | |
| Copenhagen, Falkonercentret: | 16 iii 19 | |
| Copenhagen, New Theatre in: | 16 iii 19 | |
| Corby, Civic: | 24 ii 20 | |
| Cork, Opera House: | 24 iv 30 | |
| Coventry, Belgrade: | 24 ii 18 | |
| Croydon, Ashcroft: | 21 i 7; 24 ii 21; 28 66 | |
| Dartford, The Orchard: | 40 i 24 | |
| Denmark Hill, Metropole: | 24 iv 15 | |
| Derby, Tupton Hall Comprehensive School: | 27 iv 7 | |
| Dillington House: | 18 iii 8 | |
| Douglas, Gaiety: | 39 i 18 | |
| Drury Lane, Theatre Royal: | 22 i 12, 21, 36, 44, 78, 100 | |
| Dublin, Abbey: | 24 iii 6 | |
| Dublin, Gaiety: | 22 i 1, 25, 44 | |
| Dublin, Gate: | 29 45 | |
| Dublin, Peacock: | 24 iii 6; 25 iii 12 | |
| Dublin, Queens: | 22 i 73 | |
| Dublin, Rupert Guinness Memorial Theatre: | 10 i 25 | |
| Dusseldorf, Schauspielhaus: | 30 90 | |
| Ealing, Questors: | 15 iii 10; 20 i 3; 22 ii 5; 24 ii 24; 25 i 20 | |
| Eastbourne, Congress: | 24 ii 22 | |
| East Grinstead, Adeline Genee: | 25 i 5 | |
| East Sydney Technical College: | 20 i 26 | |
| Edinburgh, Assembly Hall: | 28 4 | |
| Edinburgh, Kings: | 22 i 100 | |
| Edinburgh, Traverse: | 33 iii 5 | |
| English and American Theatre Compared: | 16 ii 21 | |
| Essex University: | 29 41 | |
| Eton College, New Hall: | 27 i 14 | |
| Eu Tong Sen: | 22 i 77 | |
| Exeter, Northcott: | 25 iv 6; 27 ii 37 | |
| Falkirk, Callender Park College: | 27 ii 18 | |
| Farnham, Redgrave: | 32 ii 22; 34 i 19 | |
| Flint, High School Drama Studio: | 29 95 | |
| Glasgow, Alhambra: | 21 iii 18 | |
| Glasgow, Close: | 24 i 22; 22 ii 25 | |
| Glasgow, Theatre Royal (Scottish Opera): | 34 ii 3 | |
| Glyndebourne, Festival Opera House: | 22 i 55, 65, 100; 22 ii 15; 35 ii 3 | |
| Gravesend, Civic: | 27 ii 36 | |
| Greenwich Theatre: | 27 iv 25 | |
| Grenoble, Maison de la Culture: | 27 iii 8 | |
| Guildford, Yvonne Arnaud: | 23 iii 8; 24 ii 27 | |
| Gutersloh, Paul Thone Hall: | 30 46 | |
| Hamburg, Deutsches Schauspielhaus: | 36 iii 16 | |
| Hammersmith King's: | 23 ii 15 | |
| Hampstead, Civic: | 21 i 7; 24 ii 29 | |
| Harlow, Playhouse: | 30 83 | |
| Harrogate, Theatre (previously Opera House): | 30 129 | |
| Harvard University, Loeb Centre: | 19 ii 16 | |
| Hastings, Stables: | 29 98 | |
| Helsinki, City: | 26 iv 4 | |
| Henley on Thames, Kenton: | 25 ii 27 | |
| Hillingdon, Alfred Beck Centre: | 36 i 14 | |
| Hobart, Theatre Royal: | 31 125 | |
| Holme-on-Spalding Moor, Yorkshire: | 18 i 13; 24 ii 30 | |
| Hong Kong, Arts Centre: | 36 i 8 | |
| Hong Kong, Coliseum: | 42 i 2 | |
| Hong Kong, The Shouson: | 36 i 8 | |
| Hull University, Gulbenkian Centre: | 25 iv 28; 27 iv 10 | |
| Hull University, Middleton Hall: | 25 iv 24 | |
| Inverness, Eden Court: | 34 iii 3 | |
| Iowa University, Hancher Auditorium: | 31 3 | |
| Irish Theatre: | 4 ii 21 | |
| Jersey, Opera House, Ceasar's Palace: | 35 iii 17 | |
| Johannesburg, Civic: | 22 iv 29 | |
| Kent University, Gulbenkian: | 27 iv 25 | |
| Kirkcaldy, Adam Smith Centre: | 32 i 10 | |
| Lampeter College: | 22 iv 20 | |
| Lancaster University, Nuffield Studio: | 27 iii 36 | |
| Leamington Spa, Loft Theatre: | 27 ii 34 | |
| Leatherhead, Thorndike: | 27 iv 10; 29 98 | |
| Leeds, Civic: | 29 85 | |
| Leeds, Grammar School: | 23 iii 33; 24 ii 32 | |
| Leeds, Grand: | 28 4 | |
| Leeds, Playhouse: | 28 138 | |
| Leicester, Haymarket: | 31 138 | |
| Leicester, Phoenix: | 21 iii 15; 23 i 23; 23 ii 44; 24 ii 34 | |
| Limoges Theatre: | 24 i 19 | |
| Linkoping, Stadsteatern: | 28 131 | |
| Lisbon, Gulbenkian Centre: | 30 44 | |
| Lisbon, S' Carlos: | 22 i 59, 76-80, 83, 101 | |
| Liverpool, Playhouse: | 30 32 | |
| London, Adelphi: | 20 ii 18, 22 i 34, 44, 60, 100 | |
| London, Albery: | 35 iii 5 | |
| London, Aldwych: | 18 iii 6; 19 i 4 | |
| London, Alexandra Palace Theatre: | 43 i 18 | |
| London, Alhambra: | 22 i 34, 35 | |
| London, American School: | 30 48 | |
| London, Barbican: | 24 iv 32; 26 ii 5; 39 i 3 | |
| London, Bloomsbury Cinema: | 30 30 | |
| London, Cambridge: | 22 i 36, 65 | |
| London, Camden, Shaw: | 29 31 | |
| London, Centre 42: | 22 iii 16 | |
| London, Coliseum: | 21 iii 18; 26 iv 10; 22 i 12, 45, 100, 112 | |
| London, Covent Garden, Royal Opera House: | 21 iii 12; 22 i 32, 55, 56, 78, 98; 22 iii 6; 22 iv 14 | |
| London, Drury Lane Theatre: | 12 iii 11 | |
| London, Duke of York's: | 22 i 1, 2, 4 | |
| London, E 15, Corbett: | 29 63 | |
| London, Festival Hall: | 9 iii 18; 23 ii 4 | |
| London, Gaiety: | 22 i 8, 11 | |
| London, Garrick: | 22 i 3, 5, 12 | |
| London, Gate: | 22 i 48 | |
| London, Globe: | 22 i 8, 61 | |
| London, Goldsmith's College: | 22 ii 27; 24 ii 26 | |
| London, Her (His) Majestys: | 22 i 21, 61, 78, 100 | |
| London, Hippodrome: | 22 i 9, 10, 34, 36, 44 | |
| London, Jeannetta Cochrane: | 23 ii 21; 24 ii 31 | |
| London, LAMDA: | 24 ii 35 | |
| London, Lyceum: | 22 i 44 | |
| London, Marylebone, Cockpit: | 28 28 | |
| London, May Fair: | 21 ii 4; 24 ii 38 | |
| London, Mermaid: | 17 ii 18,20; 17 iii 22; 19 iii 24; 24 ii 39; 28 11 | |
| London, National: | 26 i 16; 33 iii 11; 34 ii 2; 34 iii 7 | |
| London, New: | 18 ii 6; 22 i 12, 85, 100 | |
| London, New Victoria: | 31 174 | |
| London, Old Vic: | 8 iii 22; 20 iii 3; 22 i 12, 36, 85, 100; 41 i 4 | |
| London, Opera Centre: | 35 iii 14 | |
| London, Palace: | 22 i 15, 36, 44 | |
| London, Palladium: | 22 i 34, 57, 61, 76, 86, 87; 24 iv 25; 32 i 1, 24 | |
| London, Pavilion: | 22 i 18 | |
| London, Piccadilly: | 28 11; 30 76 | |
| London, Prince Charles: | 21 i 7; 24 ii 46 | |
| London, Princes: | 22 i 5, 85 | |
| London, Purcell Hall: | 25 i 13 | |
| London, Queen Elizabeth Hall: | 25 i 13; 25 iv 4 | |
| London, Queens: | 22 i 57 | |
| London, Queens Theatre: | 17 ii 32 | |
| London, Regents Park Open Air: | 29 106 | |
| London, Riverside Theatre: | 8 iii 4; 22 i 93 | |
| London, Royal Court Upstairs: | 27 ii 32 | |
| London, Royal Opera House, Covent Garden: | 21 iii 12; 22 iii 6; 22 iv 14 | |
| London, Royalty: | 18 ii 22; 24 ii 50; 22 i 41 | |
| London, Sadlers Wells: | 17 i 5; 18 i 24 | |
| London, Saville: | 22 i 36, 65 | |
| London, Savoy: | 18 i 19; 20 ii 29; 22 i 63, 66 | |
| London, Shaftesbury: | 22 i 85 | |
| London, St. Martin's: | 22 i 10, 34, 64 | |
| London, Stoll: | 22 i 85 | |
| London, Strand: | 22 i 1, 4, 5 | |
| London, Theatre Royal Drury Lane: | 35 ii 9 | |
| London, Toynbee: | 26 i 29; 26 ii 9 | |
| London, University College of: | 26 ii 31; 26 iv 30 | |
| London, University, Kings College: | 30 63 | |
| London, Vanburgh (RADA): | 34 ii 19 | |
| London, Vaudeville: | 28 91 | |
| London, Westminster: | 22 i 38, 39 | |
| London, Winter Gardens (now New London): | 28 53 | |
| London, Young Vic: | 29 125 | |
| Los Angeles Music Center, Mark Taper Forum : | 30 101 | |
| Manchester, Northern College of Music: | 31 74 | |
| Manchester, Palace: | 22 i 11; 38 i 4 | |
| Manchester, Princes: | 22 i 72 | |
| Manchester, Royal Exchange: | 35 i 3 | |
| Manchester, Stables: | 27 ii 15 | |
| Manchester, University: | 24 ii 36 | |
| Manchester University, Renold: | 30 97 | |
| Mannheim, National: | 16 ii 7 | |
| Melbourne, Dallas Brooks Hall: | 28 43 | |
| Melbourne, Emerald Hill: | 20 i 26 | |
| Melbourne, Little Theatre: | 14 i 26 | |
| Melbourne University, Union: | 27 iv 33 | |
| Melbourne, Victorian Arts Centre: | 28 43; 37 i 6; 42 i 30 | |
| Middlesborough, Little: | 16 i 13; 23 ii 36; 24 ii 40 | |
| Milan, Teatro Alla Scala: | 34 ii 12 | |
| Mile End, Paragon: | 22 i 1 | |
| Minack (Open Air): | 33 iii 22 | |
| Minneapolis, Tyrone Guthrie: | 19 ii 18; 21 iii 32; 22 iii 32 | |
| Miskolc, Hungary: | 19 i 28 | |
| Monash University, Victoria, Alexander: | 27 iv 33 | |
| Montreal, La Roulotte: | 14 ii 6 | |
| Montreal, Place des Arts: | 22 iii 32 | |
| Mull, Little: | 26 iii 10 | |
| Musselburgh, Brunton: | 29 130 | |
| Natal, Playhouse: | 41 i 26 | |
| Newcastle, Flora Robson: | 20 iii 24 | |
| Newcastle, People's: | 20 iii 24; 22 ii 41 | |
| Newcastle, University: | 29 22 | |
| New Cross, Empire: | 22 i 10 | |
| New Orleans, Theatre of the Performing Arts: | 31 162 | |
| New Oxford Music Hall: | 22 i 19, 25 | |
| Newport, Little: | 26 i 25 | |
| New South Wales University: | 18 ii 28 | |
| New York, Metropolitan: | 22 i 57 | |
| New York, Schubert: | 22 i 77 | |
| New York State University, Maguire: | 42 i 14 | |
| New York, Uris: | 31 63 | |
| Norrkoping, Stadsteatern: | 28 131 | |
| Northampton, Derngate Civic Centre: | 41 i 18 | |
| Norwegian State Travelling Theatre: | 17 ii 24; 17 iii 23 | |
| Norwegian travelling: | 22 i 101 | |
| Norwich, Maddermarket: | 19 iii 17 | |
| Norwich, Theatre Royal: | 29 4; 30 68 | |
| Nottingham, Playhouse: | 21 iii 5; 23 i 5; 23 ii 43; 24 ii 42 | |
| Nottingham, Royal Concert Hall: | 40 i 20 | |
| Nottingham, Theatre Royal: | 36 ii 3 | |
| Oslo, Concert Hall: | 41 i 12 | |
| Ottawa, National Arts Centre: | 27 iii 35; 28 16 | |
| Oxford, Playhouse: | 22 i 36; 22 ii 24; 24 ii 44 | |
| Paignton, Festival Hall: | 25 iv 6 | |
| Paris, Alhambra: | 22 i 78 | |
| Paris, Le Lido, Cabaret Normandie: | 36 i 13 | |
| Paris, Le Theatre du Chatelet: | 36 i 12 | |
| Paris, Theatre Des Varietés: | 34 ii 22; 34 iii 1 | |
| Peckham, Crown: | 22 i 1 | |
| Perth, His Majesty's: | 38 ii 18 | |
| Perth, University: | 22 iv 29 | |
| Perth, University of Western Australia, Octagon: | 27 iv 33 | |
| Peterborough, Key: | 32 ii 22 | |
| Pitlochry, Festival: | 23 iv 6; 24 ii 45; 38 i 16 | |
| Playroom: | 5 ii 17 | |
| Plymouth, Theatre Royal: | 39 ii 4 | |
| Prague, National: | 34 i 16 | |
| Prague, Smetana: | 31 109 | |
| Quebec, Grand Theatre: | 30 55 | |
| Reading, Hexagon: | 36 i 4 | |
| Reykjavik, National: | 22 i 97, 101 | |
| Richmond, Yorkshire: | 20 ii 8; 24 ii 47; 24 iii 34 | |
| Rochester New York, Eastman: | 36 i 19 | |
| Rosehill, Cumberland: | 17 iii 6; 24 ii 48 | |
| Rotherham, Civic: | 23 ii 36; 24 ii 49 | |
| Royal College of Music, Parry: | 22 i 12, 13 | |
| Sadler's Wells: | 22 i 36 | |
| Salt Lake City, Mormon Tabernacle: | 31 32 | |
| San Diego, Old Globe: | 39 i 4 | |
| Sandwick, Shetland, Junior High School: | 41 i 12 | |
| Scunthorpe, Civic: | 24 iii 37 | |
| Shape of Theatre To Come: | 14 i 5 | |
| Sheffield, Crucible: | 29 114 | |
| Sheffield, Rowlinson School Drama Studio: | 28 117 | |
| Shepherds Bush, Empire: | 22 i 105 | |
| Sierra Leone, Mary Kingsley: | 28 98 | |
| Singapore, Drama Centre: | 42 i 12 | |
| Singapore, National: | 42 i 12 | |
| Singapore, Victoria: | 42 i 12 | |
| Snape, Maltings Concert Hall: | 25 iii 25 | |
| Snaresbrook, Forest School: | 25 ii 3 | |
| Sonning, The Mill at Sonning: | 39 ii 11 | |
| Southampton, Mountbatten: | 40 i 30 | |
| Southampton, Nuffield: | 22 ii 32; 24 ii 51; 28 4; 29 8 | |
| St. Albans, Abbey: | 26 ii 22 | |
| Stirling University, MacRobert: | 29 130 | |
| Stockton Y.M.C.A. Little Theatre: | 6 i 28 | |
| Stoke-on-Trent, Victoria: | 20 iii 24; 22 iii 25; 24 ii 52;28 76; 30 110; 30 148 | |
| Stockholm, Farsta: | 21 i 24 | |
| Strand Demonstration Theatre: | 7 iii 23; 9 ii 5; 12 i 23; 22 i 49-51, 68, 69, 75, 76, 110 |
|
| Stratford-on-Avon, Memorial: | 22 i 40-44, 100 | |
| Stratford Ontario, Avon: | 23 i 31 | |
| Stratford Ontario, Festival: | 12 i 4; 19 ii 21; 21 iii 31; 30 2 | |
| Stratford, Shakespeare Memorial Theatre: | 9 iii 5; 18 iii 6 | |
Stratford-upon-Avon, Royal Shakespeare: |
30 14; 30 23; 30 72; 30 82 | |
| Sunderland, Empire: | 20 iii 24 | |
| Sussex University, Gardner Centre: | 28 58 | |
| Swindon, Wyvern: | 29 114 | |
| Swinton, Public Library and Hall: | 28 88 | |
| Sydney, Capitol Cinema: | 30 137 | |
| Sydney, Entertainment Centre: | 41 i 6 | |
| Sydney, Her Majesty's: | 33 i 18 | |
| Sydney, Off Broadway: | 42 i 21 | |
| Sydney, Opera House: | 30 101; 31 125; 31 135; 32 i 11; 42 i 16 |
|
| Sydney, Theatre Royal: | 35 ii 14 | |
| Sydney, York, Seymour Centre: | 35 ii 14 | |
| Theatre in Leicester: | 17 ii 9 | |
| Theatre in the Round: | 15 ii 8; 18 ii 19 | |
| Tokyo, Imperial: | 31 85 | |
| Toronto University, College of Music: | 23 iv 32 | |
| Torquay, Princess: | 24 iii 38 | |
| Tufts University Massachussets: | 23 ii 27 | |
| Twickenham, St Mary's Training College: | 21 i 31; 24 ii 53 | |
| University of Akron Ohio, Edwin Thomas Performing Arts Hall: |
36 i 19 | |
| University of New South Wales: | 18 ii 28 | |
| University of Waterloo, Arts Building: | 21 ii 25 | |
| Uppingham School: | 31 23 | |
| Usti (Czechoslovakia), Theatre: | 30 143 | |
| Vancouver, Queen Elizabeth: | 22 iii 32 |
|
| Var: | 21 i 24 | |
| Vienna, Burgtheater: | 35 ii 13 | |
| Vienna, Josephstadt: | 40 i 18 | |
| Vienna Opera House: | 16 ii 7 | |
| Wanganui, New Zealand, Collegiate School - Prince Edward Auditorium: | 42 i 18 | |
| Wanganui, New Zealand, Opera House: | 42 i 19 | |
| Warsaw, Polski: | 22 i 96 | |
| Washington D.C. Arena: | 22 iii 24 | |
| Washington D.C., Ford's: | 28 109 | |
| Washington Square, ANTA: | 22 ii 11 | |
| Washington State University, Multi-purpose Coliseum: | 36 i 19 | |
| Wellington, Hannah Playhouse: | 32 ii 21 | |
| Wembley, Conference Centre: | 35 i 18 | |
| Western Springs, Illinois: | 19 ii 18; 21 ii 10 | |
| Weston-Super-Mare, Playhouse: | 27 iii 31 | |
| Wetherby, Wennington School: | 26 i 10; 26 iii 36 | |
| Weymouth, Pavilion: | 24 iii 38 | |
| Windsor, Theatre Royal: | 34 i 18 | |
| Wolfsburg, Stadt Theatre: | 31 138 | |
| Worcester, Swan: | 24 i 22; 24 ii 55 | |
| Wythenshawe, Forum: | 30 9 | |
| York, Theatre Royal: | 24 iv 22 | |
| Theatres Must be Theatrical: | Percy Corry: | 33 iii 10 |
| Theatre Technicians Associate: | Percy Corry: | 19 i 15 |
| The Gongman is 12'9" Tall! Strand Century: | John Pavacik and Holly Sherman: | 39 ii 22 |
The Master's Hand has not Lost its Cunning |
Charles Bristow: | 37 i 5 |
| The Mill at Sonning: | 39 ii 11 | |
| The Mountbatten Theatre: | 40 i 30 | |
| The Moving Finger Lights and Having Lit -: |
Alistair Morrison: | 38 i 8 |
| The Projected Picture Trust, Berkhampstead: | 40 i 27 | |
| The Sound of Galaxy: | 38 ii 12 | |
| Thespis Needs a Liaison: | 25 i 2 | |
| The Strand 85 Spring Collection: | Andy Collier: | 42 i 10 |
| The Third Act: | 31 136 | |
| They Obviously have Quizzes on French TV!: | 39 i 23 | |
| They Were No Stupider: | Frederick Bentham: | 33 ii 7 |
| Things Seem Better than They Are: | Mike Doyle: | 29 85 |
| This Blessed Plot: | Francis Reid: | 30 68 |
| This Happy Breed: | 28 107 | |
Joe Thornley: |
Harmony Observed: | 39 ii 16 |
| Three Conferences: | 27 i 6 | |
| Three New Theatres for London: | Frederick Bentham: | 21 i 7 |
| Time and Demotion or St. Michael and All Angles: | 31 81 | |
| Tin Mug: Joe Davis: | 21 iii 10 | |
| Tips: John S. Bentley: | 43 i 13 | |
| To a Beginner: B.E. Bear: | 18 i 28 | |
| Toccata and Fugue in D Jumbo: | 28 2 | |
| To Look Forward First Look Back: | Bob Anderson: | 35 i 21 |
| Toronto: | 22 i 112, 113 | |
| To See or Not to See that Exhibition (Curtains): |
Frederick Bentham: | 39 ii 30 |
| Toujours la MMS: | 36 i 12 | |
| Towards an Edinburgh Opera house: | 33 i 11 | |
| Tower of London: | 22 i 60, 61 | |
| Tower Theatre, Canonbury, London: | Michael Warre: | 26 iv 24 |
| Toynbee Theatre: | Donald Walker: | 26 i 29 |
| Trafalgar Square: | 22 i 3, 41 | |
| Michael Trangmar: | Jeannetta Cochrane Theatre: | 23 ii 21 |
| Transport (cars etc.): | 22 i 5, 22, 29, 37, 68, 88, 89, 113 | |
| Travels of a Lighting Designer: | Richard Pilbrow: | 32 ii 10 |
| Trials of School Lighting Design: | A.K. Whitehouse: | 33 iii 8 |
| Triplets in Tottenham Court Road: | Norah McNulty: | 38 ii 13 |
| Triptych: | Frederick Bentham: | 29 114 |
| Triumph Acclaim - A Theatrical Triumph!: | Gail Hardman: | 39 i 26 |
| T-Spot: | Philip Rose: | 33 iii 9 |
| T-Spots in the Night Spots: | 36 i 13 | |
| Tungsten Halogen or Quartz Iodine: | 27 i 36 | |
| Tupton Hall, Derby: | 27 iv 7 | |
| Turkey: | 10 ii 26 | |
| TVOB Down Under: Harry Myers: | 42 i 20 | |
| Twenty-Three: | 26 iv 26 | |
| Twenty Years on (ABTT): | Anthony Easterbrook: | 37 i 24 |
| Twin Theatres in Sweden: | Tyr Martin: | 28 131 |
| Two Approaches to Planning: | Frederick Bentham: | 20 ii 18 |
| Two Minor Theatres: | Brian Legge: | 27 i 25 |
| Two of a Kind: | 32 ii 22 | |
| Two to Bear My Soul Away Gemini: | P.L. Hanley: | 43 i 30 |
| Two Unconventional Theatres in Australia: | Denis Irving: | 20 i 26 |
| Two Years at Ealing: | Alfred Emmet: | 25 i 20 |
| Tyrone Guthrie Theatre, Minneapolis: | Percy Corry: | 21 iii 32 |
| U | ||
| Ultimate Vanishing Trick The: | J.A. Hutchinson: | 43 i 18 |
| Ultra Violet: | See Effects | |
| Uncomplicated Theatre?: | Reg Bartram: | 35 ii 7 |
| United States of America: | 5 ii 21; 10 iii 12; 16 ii 21; 16 iii 11; 19 ii 18; 20 i 16; 21 iii 10; 21 iii 32; 22 ii 11; 22 iii 21, 32; 23 ii 27; 23 iii 39; 24 iii 12; 24 iv 23; 28 78; 28 109; 30 51; 30 101; 31 3; 31 32; 31 63; 31 162; 32 i 24; 32 ii 23; 33 ii 11; 34 i 8; 35 ii 24; 36 ii 23 |
|
| University College Theatre: | Martin Carr: | 26 ii 31 |
| University of New South Wales: | Denis Irving: | 18 ii 28 |
| University of Waterloo, Arts Building: | Philip Rose: | 21 ii 25 |
| University Theatre, Newcastle: | Martin Carr: | 29 22 |
| Uppingham Theatre: | Christopher Richardson: | 31 23 |
| Upstairs Theatre, The: | Eric Baker: | 27 ii 32 |
| Up the Billabong: | 28 42 | |
| Up with Strand: | 25 iv 14 | |
| USITT 1977 Conference: | 35 ii 24 | |
| USITT Fourth Annual Conference: | Philip Rose: | 22 iii 21 |
| V | ||
| Vaabengaard, Finn : | Aarhus TV: | 38 ii 32 |
| Vandyck Theatre, Bristol University: | Peter Woodham: | 26 iii 12 |
| Variable Acoustics: | Geoffrey Berry: | 36 ii 9 |
| Variable Geometry at Stratford: | Bill Nunn: | 30 72 |
| Var Theatre: | 21 i 24 | |
| Vauxhall: | See Kennington | |
| Venreco Ltd.: | 22 i 36, 65 | |
| Verdi Adds About Fifty: | Francis Reid: | 31 74 |
| Verse in the Theatre: | 11 ii 27 | |
| Vesti la Giubba: | 31 136 | |
| Via the New Broadway: | Richard Pilbrow: | 31 63 |
| John Vickers: | Theatre Photography: | 18 iii 23 |
| Victoria and Albert Museum: | 22 i 92 | |
| Victorian Arts Centre, Melbourne, The: | Denis Irving: | 37 i 6 |
| Victorian Arts Centre, The: | Alan Siggers: | 42 i 30 |
| Vienna Burgtheater: | 35 ii 13 | |
| Vocational Trading: | Frederick Bentham: | 35 ii 22 |
| Voice from Down Under: | D.C. Irving: | 17 i 24 |
| W | ||
| Wales: | 31 45 | |
| Donald Walker: | Instant Light for the Drama room: | 34 i 3 |
| Toynbee Theatre: | 26 i 29 | |
| E.W. Walker: | Rowlinson School: | 28 117 |
| Graham Walne: | Dotting the Eyes: | 37 i 20 |
| Going to Church: | 39 ii 21 | |
| London Opera Centre: | 35 iii 14 | |
| M24 - To Boldly Go....: | 41 i 8 | |
| Once More with Feeling: | 38 i 23 | |
| Smile Please and Cue One Go: | 32 i 4 | |
| Soundboard?: | 34 iii 14 | |
| Wanganui Opera House: | John & Penny Richardson: | 42 i 19 |
| War: | 22 i 3, 76, 80-87 | |
| Michael Warre: | Cockpit The: | 28 28 |
| Exeter in the Round: | 27 ii 37 | |
| Tower Theatre, Canonbury, London: | 26 iv 24 | |
| Watermill Theatre, The: | 39 i 8 | |
| Watts and Corry Ltd,: | 22 i 72, 85 | |
| Reg Webb: | Weston-Super-Mare Playhouse Theatre: | 27 iii 31 |
| Wembley Conference Centre: | Brian Benn: | 35 i 18 |
| Wennington School, Wetherby: | Norman Branson: | 26 i 10 |
| Weston-Super-Mare Playhouse Theatre: | Reg Webb: | 27 iii 31 |
| Westward Ho!: | 39 ii 4 | |
| What are you going to do with it?: | 25 iv 2 | |
| What In Me is Dark Illumine: | Roland Ormerod: | 33 iii 66 |
| What is Adequate? or Adequate for What: | 22 iv 2 | |
| What is an Amateur?: | 26 ii 2 | |
| What is a Stage: | 24 i 2 | |
| What is a Theatre For: | Frederick Bentham: | 21 ii 20 |
| What kind of theatre?: | 29 78 | |
| What's cooked?: | 27 iv 5 | |
| What's in it for the Customer?: | Frederick Bentham: | 27 iii 19 |
| What's New: | Philip Rose: | 34 i 10 |
| What's New in MMS: | David Bertenshaw: | 34 iii 10 |
| When Drama is not Theatre: | Barbara Berrington: | 31 154 |
| When I Consider How My Light is Spent...: |
Mervyn Gould: | 29 98 |
| When in Rome - A look at the new Quartzcolor Ianiro Factory: | 39 i 14 | |
| When the Lights go Out: | Tony Brown: | 40 i 23 |
| Where the Girls are so Pretty: | Percy Corry: | 31 159 |
| J. Whitaker: | Derngate Civic Centre: | 41 i 18 |
| A.K. Whitehouse: |
Price of Economy The: | 36 i 18 |
| Trials of School Lighting Design: | 33 iii 8 | |
| Kathy White: | Dundee Rep, The: | 39 i 4 |
| Who's Who and What's What: | 30 133 | |
| Why: | Percy Corry: | 17 i 20 |
| Karl Eilert Wiik: Theatre Goes North: | 17 ii 24; 17 ii 23 | |
| Wild Call and a Clear Call, A: | 27 ii 4 | |
| Wilde Theatre, The: | Iain Mackintosh: | 42 i 8 |
| John Willett: | Theatre of Edwin Piscator The: | 36 iii 18 |
| Michael Williams: | At the Court of King Cotton: | 35 i 3 |
| Osmund Willson: | Forty Years Saying 'Ssh': | 15 ii 23 |
| Wireless: | 22 i 30 | |
| Wiring techniques: | 22 i 30, 55, 58 | |
| Michael Wolfe and John Schwiller: | Instant Colour: | 35 ii 18 |
| Michael Wooderson: | Theatre in Hungary: | 19 i 28 |
| Peter Woodham: |
Boxed to take away: | 28 138 |
| Shaw Theatre, Camden: | 29 31 | |
| Vandyck Theatre, Bristol University: | 26 iii 12 | |
| J.T. Wood: | Narodno Pozoriste, Belgrade: | 29 72 |
| Workshops Must be Workshops: | 23 iv 3 | |
| John Wyckham: | Good for All or Good for Nothing?: | 40 1 24 |
| Illuminating Oliver: | 18 ii 12 | |
| Ireland's Scottish Triumph: | 38 i 16 | |
| Lighting at the Aldwych: | 19 i 8 | |
| Ten Days to Tabs!: | 33 i 14 | |
| Wythenshawe's Forum: | Percy Corry: | 30 9 |
| Y | ||
| Yamagiwa Corporation of Japan: | 40 i 12 | |
| Year at Nottingham: | John Neville: | 23 i 5 |
| Leslie Yeo: | Spotlight on Canada: | 17 ii 17 |
| York Mystery Plays, 1957: | Percy Corry: | 15 ii 20 |
| Tony Youlden: |
How they Saved the Maj.: | 38 ii 18 |
| Off Broadway (Sydney): | 42 i 21 | |
| Yugoslavia: | 29 72 | |
Strand Lighting is indebted to Phil Windsor for compiling this index of TABS articles which were published between 1937 and 1986 (specifically Volumes 1 (pt), 4-43)